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Cited by
Year
Musical agents: A typology and state of the art towards musical metacreation
K Tatar, P Pasquier
Journal of New Music Research 48 (1), 56-105, 2019
892019
Attending to breath: exploring how the cues in a virtual environment guide the attention to breath and shape the quality of experience to support mindfulness
M Prpa, K Tatar, J Françoise, B Riecke, T Schiphorst, P Pasquier
Proceedings of the 2018 designing interactive systems conference, 71-84, 2018
742018
MASOM: A Musical Agent Architecture based on Self-Organizing Maps, Affective Computing, and Variable Markov Models.
K Tatar, P Pasquier
5th International Workshop on Musical Metacreation (MuMe 2017), 2017
342017
Latent timbre synthesis: Audio-based variational auto-encoders for music composition and sound design applications
K Tatar, D Bisig, P Pasquier
Neural Computing and Applications 33, 67-84, 2021
312021
RANKING-BASED EMOTION RECOGNITION FOR EXPERIMENTAL MUSIC
J Fan, K Tatar, M Thorogood, P Pasquier
The 18th International Society for Music Information Retrieval Conference, 2017
302017
Automatic Synthesizer Preset Generation with PresetGen
K Tatar, M Macret, P Pasquier
Journal of New Music Research 45 (2), 124-144, 2016
262016
REVIVE: An audio-visual performance with musical and visual AI agents
K Tatar, P Pasquier, R Siu
Extended abstracts of the 2018 CHI conference on human factors in computing …, 2018
172018
Respire: a breath away from the experience in virtual environment
M Prpa, T Schiphorst, K Tatar, P Pasquier
Extended Abstracts of the 2018 CHI Conference on Human Factors in Computing …, 2018
142018
The Pulse Breath Water System: Exploring Breathing as an Embodied Interaction for Enhancing the Affective Potential of Virtual Reality
M Prpa, K Tatar, B Riecke, P Pasquier
Virtual, Augmented and Mixed Reality, 9th International Conference, VAMR …, 2017
122017
Respire: virtual reality art with musical agent guided by respiratory interaction
K Tatar, M Prpa, P Pasquier
Leonardo Music Journal 29, 19-24, 2019
62019
Sound Design Strategies for Latent Audio Space Explorations Using Deep Learning Architectures
K Tatar, K Cotton, D Bisig
Sound and Music Computing 2023, 2023
42023
Audio-based Musical Artificial Intelligence and Audio-Reactive Visual Agents in Revive
K Tatar, P Pasquier, R Siu
Simon Fraser University, 2019
42019
A Shift in Artistic Practices through Artificial Intelligence
K Tatar, P Ericson, K Cotton, PTN Del Prado, R Batlle-Roca, ...
Leonardo 57 (3), 293-297, 2024
32024
Social drones for health and well-being
M Obaid, K Tatar, M Wiberg, A Said, M Rost, A Weilenmann, W Johal, ...
Adjunct proceedings of the 2022 nordic human-computer interaction conference …, 2022
22022
Bottom-up live coding: Analysis of continuous interactions towards predicting programming behaviours
G Diapoulis, I Zannos, K Tatar, P Dahlstedt
NIME 2022, 2022
22022
Raw Music from Free Movements: Early Experiments in Using Machine Learning to Create Raw Audio from Dance Movements
D Bisig, K Tatar
AI Music Creativity Conference 2021, 2021
22021
Chatterbox: an interactive system of gibberish agents
R Boerson, A Liu-Rosenbaum, K Tatar, P Pasquier
International Symposium of Electronic Arts 2020, 2020
22020
Musical agents based on self-organizing maps for audio applications
K Tatar
Simon Fraser University, 2019
22019
QUANTITATIVE ANALYSIS OF THE IMPACT OF MIXING ON PERCEIVED EMOTION OF SOUND-SCAPE RECORDINGS
J Fan, M Thorogood, K Tatar, P Pasquier
Proceedings of the 15th sound and music computing, Limassol, Cyprus, 2018
22018
Caring Trouble and Musical AI: Considerations towards a Feminist Musical AI
K Cotton, K Tatar
arXiv preprint arXiv:2311.08120, 2023
12023
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